Tag Archives: The Black Keys

Grammys 2013: The One Where The Guys Had all the Fun.

grammys

If last year’s Grammys were owned by Adele (and they ever so thoroughly were), then this year’s ceremony saw the men take back the reigns. The top awards were all won by men – Gotye got Record of the Year, for Somebody That I Used to Know, while the male trio of fun. got Song of the Year for We Are Young, and Mumford & Sons picked up Album of the Year for Babel – an album that made a major impact on the US Billboard 200 chart last year, selling over 600 000 copies upon release. Miguel won Best R ‘n B Song for Adorn and the Black Keys injected their brotherly rock into more than a few categories – scoring Best Rock Album, Best Rock Performance and Best Rock Song for Lonely Boy.

Tribute was paid to Levon Helm, the late singing drummer from The Band, and Justin Timberlake made his cool comeback in a black and white performance with a shoop-shoop band accompanying him and Jay-Z jumping up from his seat to join in. Even Ed Sheeran got to perform his song The A-Team with Sir Elton John. As for the ladies – well, aside from Carrie Underwood’s magic dress that displayed various fairylike images on it, they didn’t leave much to post to Twitter about. Thank heavens for Brittany Howard from Alabama Shakes who had a verse in the Helm tribute – I can’t wait to watch her and that band grow even stronger.

Adele still managed to make a cameo this year – the awards opened with her being presented the Pop Solo Performance statue for the live version of Set Fire to the Rain. And she really does look set to add an Oscar to her many awards, at that ceremony in two weeks’ time.

In the meantime, maybe next year the awards will even out the balance?

The winners are:

Album of the year

Babel, Mumford & Sons

Record of the Year

Somebody That I Used to Know, Gotye featuring Kimbra

Song (goes to writer)

We Are Young – fun.

Best new artist

fun.

Pop vocal album

Stronger, Kelly Clarkson

Dance/electronica album

Bangarang, Skrillex

Rock album

El Camino, The Black Keys

Alternative album

Making Mirrors, Gotye

R&B album

Black Radio, Robert Glasper Experiment

Rap album

Take Care, Drake

Country album

Uncaged, Zac Brown Band

Americana album

Slipstream, Bonnie Raitt

Pop solo performance

Set Fire to the Rain (Live), Adele

Pop duo/group performance

Somebody That I Used to Know, Gotye featuring Kimbra

Dance recording

Bangarang, Skrillex featuring Sirah

Traditional pop vocal album

Kisses on the Bottom, Paul McCartney

Rock performance

Lonely Boy, The Black Keys

Hard rock/metal performance

Love Bites (So Do I), Halestorm

Rock song (goes to writer)

Lonely Boy (performed by the Black Keys)

R&B song (goes to writer)

Adorn (performed by Miguel)

Traditional R&B performance

Love on Top, Beyoncé

R&B performance

Climax, Usher

Urban contemporary album

Channel Orange, Frank Ocean

Rap performance

N—– In Paris, Jay-Z and Kanye West

Rap/sung collaboration

No Church in the Wild, Jay-Z & Kanye West featuring Frank Ocean and The-Dream

Rap song (goes to writer)

N—– In Paris (performed by Jay-Z and Kanye West)

World Music Album

The Living Room Sessions Part 1, Ravi Shankar

hugh masekela

South African musician Hugh Masekela performs at the pre-telecast Grammy ceremony. He was up for Best World Music Album.
Photo: Jeff Kravitz/FilmMagic, via The Grammys

For the full list of winners, head on over here

Let’s Hear it For The Boys – The Grammys a-Go

grammys

It’s dubbed as “music’s biggest night” and while a woman may have dominated the proceedings last year, this year, the guys are the ones with the most nominations. 6 of the top nominees, with 6 nods each, are male artists: Frank Ocean, fun., The Black Keys’ Dan Auerbach, Jay-Z, Kanye West and Mumford & Sons lead the nominations, but which one will actually rule the night? It seems that Fun. is the band this year with the most to win – being nominated in the 4 major categories of of Record, Album and Song of the year, as well as Best New Artist. No mean feat there.

But what about that coveted category Song of the Year? This category, given to songwriters, will more than likely recognize that Call Me Maybe was the most ubiquitous ditty of this past year. While I personally love The A Team from British newcomer Ed Sheeran, it wasn’t half as popular a track. Record of the year (which is awarded to a single) surely looks set to be won by Gotye for Somebody That I Used to Know, which was the best-selling single of the year.

As for nominees beyond the “sexy six” categories, I’m rooting for Hugh Masekela. Even though he kind of told me not to. He’s up for Best World Music Album, along with the likes of Rav Shankar, who is also up against his daughter Anoushka and Mali’s Amadou & Mariam. I caught up with BraHugh in DC during events around Obama’s Inauguration, and ever the humble artist, he said all credit is due to those with whom he worked on his album, Jabulani

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Hugh, who once performed with the likes of Dizzy Gillespie and Miles Davis, was last nominated in 1968. So I’ll still be cheering on the jazz trumpeter – along with the talented artists who helped make Jabulani the Grammy-nominated work it is.

Hugh, who once performed with the likes of Dizzy Gillespie and Miles Davis, was last nominated in 1968. So I’ll still be cheering on the jazz trumpeter – along with the talented artists who helped make Jabulani the Grammy-nominated work it is.

The Grammys takes place this Sunday.

[Pic: Grammys.com]

The Global Festival in Central Park

The Black Keys

 

It’s the reason Neil Young signed on. And the Black Keys. Foo Fighters too. Organizer Hugh Evans promised The Global Festival wasn’t going to be “just another Live Aid,” but that it would actively encourage and educate people about what he regards as the critical issue facing our time – extreme poverty. That the festival did, but it was also a rocking good time too.

60 000 fans took to the Great Lawn of New York’s Central Park on Saturday evening for the event, which made history as the largest syndicated music charity webcast and broadcast. Streamed live online, and with input from around the world, the show really did become the global event it was intended to be, fusing the power of social media with socially active fans – even if some of those fans originally came just for the music, as evident in one music-lover screaming out for Foo Fighters during a UNICEF presentation.

 

Run by Evans, CEO of The Global Poverty Project, the Global Festival was created as a way to get music fans involved in the hype and buzz of the United Nations General Assembly, currently taking place in NYC. 120 of the world’s leaders have been gathering in the city for talks and discussions around crucial issues for the past week and a bit. Evans wanted to direct some of that energy into renewed efforts and commitment to achieving the Millennium Development Goals (MDGs), specifically with regard to eradicating extreme poverty.

“The only way this will be relevant to our generation is if it is sustainable,” Evans said in an interview before the event. He and his team set about creating a kind of “digital dashboard” for navigating the issues at hand – like how polio is almost entirely wiped off the planet but still needs attention in Afghanistan, Pakistan and Nigeria; or how education in India is being driven by women-led organizations.

What better way to entice people into engaging with the issues than offer them a free concert with top musicians? As some concert-goers said, it was a small price to pay. After having signed up to become “global citizens”, which entailed watching and sharing video content, emailing links to their friends and thereby scoring the points needed to gain entry into the concert, fans watched as, on the night, more videos were shown and celebs like Olivia Wilde and Selena Gomez came out on stage to highlight various initiatives around the world.

 

So the evening was a celebration too of these efforts being made to rid the world of poverty-related diseases. I liked how the rousing applause from the audience wasn’t only reserved for the rockstars on stage, but it was heaped on the philanthropists and activists who’re working to create change within their own spheres too.

The medicine went down with the music though, and the bands provided a welcome soundtrack to these efforts. From K’Naan, who “re-claimed” his World Cup anthem Wavin’ Flag to surprise guest John Legend who performed John Lennon’s Imagine, there was passion in droves. Band of Horses performed too – their new track Knock, Knock, before the heart-searing No One’s Gonna Love Yourang out across the park. The Black Keys played a tight, urgent set, before Foo Fighters, who told us this would be their last show “for a while”, powered through tracks like Times Like These, Best of You and Everlong. Neil Young and Crazy Horse capped off the evening’s highlights, playing facing each other, almost as if around their own campfire of sorts, in which they created their wall of sound. It was amazing to behold the anthemic Keep on Rocking in the Free World in all its glory, which ended the festival just before the park’s curfew kicked in and Young, who tried to speak to the audience, was Springsteen’ed.

Ultimately though, after 5 hours of standing in enclosed pens, the messages did begin to feel a bit of an overload. Sometimes all you need is Foo Fighters’ frontman Dave Grohl at the end of his set to say, “remember why we’re here.” And most of us do.

Pics: Kevin Mazur/WireImage

 

The First Firefly Music Festival

 
“Helloooo Delaware! This is our first time here!” It was a phrase shouted out over and over again by many of the bands performing at Firefly Music Festival in Dover this past weekend. It was also, more than likely, a sentiment shared by 80 percent of the audience, judging from the amount of cheers elicited in answer to the “who’s from out of town?” call. But Delaware, and Dover in particular, did a fine job in inviting music-lovers into their backyard for three days and playing host to the inaugural Firefly Music Festival.

With a line-up that included The Killers, Jack White, The Black Keys, John Legend, Lupe Fiasco, Girl Talk, Young the Giant, Yeasayer, Modest Mouse, The Flaming Lips and oh-so-many more, the organizers showed they were serious about making an impression on the US music festival scene and creating an event that would sit alongside annual showdowns like Bonnaroo, Sasquatch and Lollapalooza.




 
The 3-day event drew an estimated 30 000 revellers to the Woodlands – an 87-acres spot just behind Dover’s International Speedway, where four stages were set up for the event. It was a lovely setting, complete with shaded woody areas for hammock-laying and tree-gazing, and the amenities were well taken care of. But it was, as it should be, all about the music.

Day One saw the likes of John Legend making sweet sounds with his soul-infused band, OK GO! thrilled the audience with their energetic set, and Walk the Moon’s show was high-octane and full of love, complete with their hit single, Anna Sun. Silversun Pickups played the Backyard Stage, and to finish the day on a high – Jack White took to the main stage with his dapper-looking band (even his stage-hands were dressed in bowler hats) and performed while the audience got drenched in the rain. To see the interaction between him and his band-mates – especially drummer Daru Jones was a highlight within a highlight. The whole show was worth getting frizzy hair for.

The highlight of Day Two was undoubtedly the Killers performing together again, after about a two-year mini-hiatus while band members pursued solo projects. It was an uplifting set which lasted over an hour and half as they played their hits and also three new tracks, Runaways, the recently-released single, as well as From Here on Out and Flesh & Bone. All have those familiar soaring choruses the Killers are known for. Opening with Somebody Told Me and Smile Like You Mean It, the group continued to thrill the audience with hit singles like Mr. Brightside, Human, All These Things That I’ve Done and When You Were Young – all of which the audience sung along enthusiastically to leaving lead singer Brandon Flowers stating: “Delaware…who would have thought?” Oh, and the fireworks and confetti were a nice goosebump-inducing touch.

Day Three had a slightly more chilled vibe to it, with The Head and the Heart playing a gorgeously-paced set that included Lost in My Mind. But sets by Girl Talk and Tinie Tempah, as well as the party that spilled out of the stage when The Flaming Lips performed, made this a Sunday Funday to remember. The Black Keys closed out the night and the festival, with some brotherly rock ‘n roll swag.
 


The Flaming Lips

Young the Giant
 

 
The stand-out music performances, the lush setting and great amenities, together with the on-time schedule of the line-up as well as the friendliness of the people (even the security guards are nice), makes this a festival worth travelling to Delaware for. Even if it is your first time.

Catalpa NYC

Catalpa NYC

 
I run past Randall’s Island a lot. It looks like nothing much ever happens there. But this summer, that looks set to change with plenty of reason to venture over. One reason begins with “The” and ends in “Black Keys”, another rhymes with Doggystyle.

The Catalpa NYC festival looks set to make quite the impression with its arrival onto the New York summer circuit. Snoop Dogg will be performing his 1993 debut album in its entirety, and true to the description of catalpa that thrives in the warmth of North America and is known for its large, showy flowers, the event will showcase some of the biggest artists around. Catalpa’s going to have 40 performers from across the genre board – from the likes of Girl Talk to Matisyahu to TV on the Radio and Hercules & the Love Affair, the list just keeps getting better.
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