Category Archives: Nadia In New York

The National Play A Lot of Sorrow at MoMA PS1

The National

What do you do when you’ve played the same song for 6 hours – over 120 times – straight? If you’re The National, you play that song again, one more time, as an encore. That’s what happened on Sunday at PS1 MoMA when the band played their song Sorrow (off 2010′s High Violet) as part of a performance art installation, created by Iceland’s Ragnar Kjartansson.

He called it A Lot of Sorrow, and wanted to explore the repetitive nature of a having a song performed on loop, and how that creates “sculptural presence within sound.” It’s one thing to play the same song over and over again on your iPod or cassette tape (oh the pain that used to come from a tape damaged because of over-playing!). But it’s another thing entirely to be the artist playing that song – over and over, for hours and hours, barely a break in between it all. There were no chairs, no food or bathroom breaks. Little pieces of cut up fruit were handed out, and when Ragnar brought out burgers and beer for the band, lead singer Matt Berninger gave it to fans in the front row, as a thank you for being there “almost as long as we have.”

It felt like the band was in a marathon and we, the crowd, were providing the support, cheering in places, clapping in others, singing along to help when Matt’s vocals softened a little. His interaction with the crowd was minimal – save for a few times he would share those tiny pieces of fruit that had been handed to him, and the group stuck to the instructions to keep playing the same song over and over – singing the melancholic lyrics over and over; strumming the guitars, keeping those drums going. Every now and then, one instrument would take a step back for a quick catch of breathe, but for the most part, there was no stopping.

Artist Ragnar Kjartansson behind the camera as Matt Berninger sings the lyrics.

Artist Ragnar Kjartansson behind the camera as Matt Berninger sings the lyrics.


I was there for about 3 hours in total, but had coffee and a cinnamon bun break at M Well Dinerette inside the museum (a must-taste!) in the middle of watching the band. It’s quite something to watch a “concert” for that long, and only hear one song over and over. And in it, I found that a song about one emotion – sorrow – when played over and over again, becomes about all kinds of others: comfort, joy, irritation, humour, tedium, relief.

And perhaps that’s how it is with playing a song on an iPod (or defunct cassette player) too. The meaning of the song changes, until you can no longer bear to listen to it anymore. I only wonder if it’s like that for the band – and if they could ever stand to play Sorrow again live? Even afterwards, as we left the giant dome-like structure in which they’d been playing, the lyrics still stuck on loop in my heads, and my friend started singing them out loud, I had to ask him to please stop.

The National

Unfinished Business – The Philadelphia Marathon

 
They say that you really get to know someone in a crisis. That much seemed true for this love affair I’ve been having with NYC. After almost two years, it’s maturing into something more than just a passionate affair. But aside from the blizzard, which happened too early into the relationship to do any serious damage (and was my first time seeing snow) and the usual NY life where the odd stranger shouts obscenities at me or, in one case, actually hit me, it’s been a relationship full of love and adoration.

When Sandy struck, I saw another side to the city and the people I’d come to know here. Most of it was of a helpful, pulling together kind of nature. But there was an ugly side I’m not too keen to go into here. Suffice to say, the decision from Mayor Bloomberg to go ahead with the New York City Marathon, saw many runners become the target for attacks, and despite being torn about running while the city was going through such turmoil, I struggled through nasty texts and messages and online threats. At one stage, I felt ashamed about having been apart of an initiative to raise money for All for Africa, and being committed to seeing that through all the way. While the decision was ultimately reversed, it’s something that should have happened from the beginning, and would have saved a lot of ugliness and misplaced blame.

Nevertheless, I still felt like I had unfinished business. While I had made a promise to myself that took months of commitment to fulfill, I had promised those who contributed to my charity that I would run 26.2 miles in exchange for their money. So while I dashed off to Chicago to cover the election (which is what I would have done on the night of the Marathon anyway) I had marathon thoughts still in my mind. My lovely friend Jessie emailed me a list of alternative marathons that were coming up in the next few weeks, and offered to host me for the Richmond one near where she lived, while my just-as-lovely friend Annaleigh paid for my registration fee. And so I became excited about “America’s Friendliest Marathon”, and started making plans to head to Virginia straight after Chicago.

But it was not to be.

A near-trip to LA put that a stop to that plan and I had to re-route my travel arrangements.

Through it all, I kept running. After all, that’s what running has become – my anchor in uncertain times. Whatever’s going on, I know I can hit the ground and get those miles out.
 

 
Back in New York, my running pal Kristin then told me she had an extra bib for the upcoming Philadelphia Marathon and a place for me to stay the night before. The prospect of being able to finally finish something I’d started got me all psyched up (albeit cautiously) and I started making the plans. When I got an email saying I was due to interview Gerard Butler in LA the same weekend, and so had to tell Kristin to see if someone else wanted the entry, I began to think a marathon really wasn’t on the cards for me. Until I found out I could still go to LA and be in Philly in time for the race! But by this time, the bib was now gone.

Enter another character into this story – one from my childhood school days at Tom Newby. Mark had been in the year above me, and we’d re-connected when I moved to New York, where he’s been living for the past 8 years. Mark came through with a bib – from another ex-Tom Newby school friend! – and a ride back into NYC after the race.

And then, on the Friday morning before Marathon Sunday, LA – and the Gerard Butler interview – fell through.

Now, by Friday night, it all became real. I would be taking to the streets of Philly to go claim those 26.2 miles.
 

 
Together with good friends and some amazing new ones – Ashley, Beth, Michael – things finally came together for me to run my first marathon. The kindness shown to me by people, the love and support from strangers to long-lasting friends pushed me to that start line.
 

 
And so, on Sunday, November 18th 2012, I completed my first ever Marathon. I crossed that finish line with a biggest smile on my face, as Empire State of Mind played over the loud speakers (how’s that for timing!). Dancing a little, I wiped the salt-encrusted sweat from my face, as one of the volunteers placed the medal around my neck.

During the run, I only used my “Ultimate Marathon Playlist” from Mile 20. Up until the moment Wild Nothing’s Paradise kicked in, I’d been thinking of all the wonderful people who’d helped me through these challenging few weeks. But I also found myself thinking about a lot of random things too. Like how many people named Mark I ran past (none of them my friend Mark who was also running!)

I thought I would have some grand new insights into life and how better to live it. I didn’t get as emotional as I thought I would. The moment when I saw Kristin and Ashley, which coincided with my best running theme song Every Chance We Get We Run coming on my iPhone, drew a few tears to my eyes, but for the most part, I was focussed on pacing myself and taking in the scenery and people cheering my name (in spite of my ironing the “D” backwards on my shirt). When I saw the sign saying “Marathon Inbound”, and the 26 mile marker up in front of me, I took off my headphones, The Temper Trap’s Sweet Disposition still playing on them, and soaked in the atmosphere. “That’s it, Nadia”, shouted one stranger, “take it all in!”

I found out later that I’d completed the marathon in under 4 hours, at 3:59:21. That made my smile even bigger. But more than that, I was happy about one thing: I finally finished what I started. At the end, that’s what it’s all about – the very cliche of running and life. That it is tough, and when you’re doubting whether you can actually do it, just being able to put one foot in front of the other is what gets you through it. As always though, it helps to have a killer soundtrack!

And so my affection for New York now extends to Philadelphia, the city of Brotherly (and Sisterly!) love. Thanks Philly, I’ll certainly be back. I’ve got a Cheese-steak to try – and that’ll give me another reason to go for a run.
 

 
Oh – and here’s that playlist I mentioned. It kept me motivated on all those long runs!

Side-stepping a Super-storm Named Sandy

 

This time last week, I was stressing out about squeezing everything into what was quickly becoming the busiest two weeks of my life (not counting the time I decided to move to New York). I was trying to meet deadline after moved-forward deadline, report on the US Presidential Elections, make travel plans for said election, train for the NYC Marathon, fundraise for said marathon, apply for a Visa, etc. In other words, becoming a true New Yorker, and juggling a dozen balls in the air.

And then, Sandy came.

After being here for Hurricane Irene, which was downgraded to a tropical storm by the time she hit NYC, I was a bit skeptical in the beginning when I first saw the news reports. If there was going to be damage, it would be near the beaches and Upstate NY, like what happened in August with Irene, I thought. But then things started to feel different. There was a sense of real urgency – no time even for organizing hurricane parties. Things started to shut down quickly – the subway, the schools, the parks. New York started feeling like a ghost-town.

Monday afternoon, I took a cab-ride down to Battery Park City, or as close to it as my friend and I could get, to see what lower Manhattan looked like. Being on the Upper East Side was a completely different experience. I would soon realize that in more ways than one. While the UES still seemed to have a hurried presence about it, with people dashing into grocery stores and forming long queues outside the Fairway, the bottom of NYC looked like a “before” scene in The Day After Tomorrow – eerily quiet, unnervingly empty. I looked over the Hudson, at the water rising by Battery Park City, and started to get a little frightened. We walked up the running path, and then the wind started to pick up. Such strong gusts, I almost fell over a few times. And then the panic started to climb up in my chest: I suddenly wanted to be back in the safety of the Upper East Side, but would we find a cab now?
 


 
Police were doing rounds, telling people who were still in the area to get out. As the wind grew stronger, so too did my panic. My eyes darted around for a cab, but there were none to be found. We walked a few more blocks, until finally, one appeared. Grateful, I slammed the door behind me, and we drove off along the deserted FDR highway, back to the sanctity of the UES.

And there, I “hunkered down”, as Americans like to say. Waiting the slow wait with weather porn and worry, not sure what was about to come. The wind continued to howl, and the trees outside my apartment banged against my window. It was scary, but not knowing what to expect was scarier. I’m from South Africa. We don’t have hurricanes or super-storms there; the most a Highveld thunderstorm can do is frighten you with its lightning displays and occasional balls of hail.

And yet, my experience of Sandy ended up being nothing compared to what happened even just two streets over from me, where the East River rose so mightily that it flooded the foyers of apartment buildings. Or just a couple dozen blocks down where it filled NYU hospital, causing a massive last-minute evacuation of babies and patients. All I really experienced was seeing fallen trees and massive branches smash into car windows. My power stayed on throughout and I didn’t even need to go across to Ryan’s Daughter, the pub opposite me offering free wi-fi and a generator.
 

 
My Sandy experience was sheltered. And for that I am ever grateful. I read of the people who were killed – by falling trees or fire, or those swept out with the water, like the two little boys in Staten Island. My heart sinks. I’ve seen the images that look like they truly did come out of a movie – water flowing through the 108-year-old subway; the ConEd power plant explosion, that crane dangling oh-so-precariously over Midtown. And Jane’s Carousel, practically submerged in water. And yet, beyond New York City, Sandy was even more crippling. In Breezy Point, Queens, where she razed an entire community of 100 homes, leaving behind the devastating snapshot of a burnt-out war zone. In Seaside Heights, New Jersey, where she ripped out what used to be a popular fairground attraction, and the former home of the Jersey Shore misfit cast (even that sin not deserving of this). In West Babylon, Long Island, where she raced through my friend’s home, taking baby clothes and boardgames with her.

To them, Sandy was utterly unfair.

And I can play that game – wondering why I got off so lucky; questioning the futility of it all; judging myself for running the NYC Marathon when others are trying to get back back any semblance of life.

But in the midst of it all, I am becoming a New Yorker. The spirit of determination, and steadfastness, and stubbornness that I’ve experienced in the past year and a half of being here is rubbing off on me. There is a real sense all will be built back up, better and stronger than before. And I want to believe it too. So, I will play my part where I can, and I will run for the charity I’m supporting. And I will choose this image to be one of the lasting impressions I have of this event. While coming back from my run tonight, Captain America appeared in front of me on this Halloween evening.

Strong, fiesty, and definitely not named Sandy.
 

Bracing for Hurricane Sandy, aka Frankenstorm

 

With phrases like “unprecedented super-storm,” “potentially calamitous,” and “life-threatening proportions” being used, it’s hard not to get worked up ahead of Sandy, the hurricane of a weather system heading towards the northeast coast of the US, expected to arrive in New York around in a few hours.

Public transport, which carries the 8 million inhabitants of the island to and fro, has been shut down as of Sunday evening, schools are closed for Monday, Broadway plays cancelled, and even the NY Stock Exchange isn’t going to work, relying instead on electronic trading.

But New Yorkers feel like they’ve watched this movie before.

Last year August, Hurricane Irene forced panic and hysteria, also causing mass transit shutdown and excessive food-snack buying. While Irene created much devastation in upstate New York, for the city, it was a case of ‘she came, she saw, said hi, and left a few broken branches in her wake’. But this time, even the most staunch of New Yorkers will admit, feels a little different. Last year, there was time to organize “hurricane parties” and search for “hurricane boyfriends” (or girlfriends). But this storm feels like its caused a lot of panic and called for a lot more preparation in a much shorter amount of time.

For starters, there’s the fact that US President Barack Obama declared a state of emergency for New York, New Jersey, Massachusetts and Maryland. Plus the words and tone of what’s being described here feels more urgent. Storm surges? Snowfall in October? Cue the long queues snaking around Wholefoods and empty shelves where Evian bottles used to stand, as well as the conversations about what exactly one puts inside a “go-bag.”

The timing for all this couldn’t be worse. Not only is the city preparing to host the biggest race in the world, the ING NYC Marathon, next Sunday, but the greater country is racing towards electing – or re-electing – its next leader, heading into the final stretch to the White House. The storm has blown both the schedules of Barack Obama and Mitt Romney off course – sending them away from the important battleground states of Virginia and Florida.

It’s not yet clear the impact Sandy will have on the election as a whole, but no one seems to be taking any chances. And if the devastating power outages that are being forecast come to fruition, then even the least stubborn of New Yorkers will be watching this one in the dark.

Originally published on msn.co.uk.

Pic via NY Post of Sandy, as seen from Space

Led Zeppelin talk Celebration Day

 

It’s been a question long on the minds of many Led Zeppelin fans – whether the band’s remaining members would reform again like they did on the night of 2007′s 02 Arena, in tribute to their friend and Atlantic Records founder Ahmet Ertegun. It was a concert 20 million people reportedly applied for tickets to, yet only 18 000 secured spots inside the iconic British band’s first headline show in 27 years.

Now, almost 5 years later, that show – all 2 hours and 16 songs of it – will be released on the big screen and on DVD, and in various other forms. And, if the band’s indirect replies to any kind of questions about re-uniting again are to be understood, this may certainly be the only chance to see them play together again.

Quite possibly though, watching Jimmy Page, John Paul Jones and Robert Plant power through their songs, along with the late John Bonham’s son Jason on drums, Celebration Day might do more to feed the desire to see the group live in the flesh. The film is all about the musicians – the focus they have on their instruments, the looks they shoot briefly to each other, the techniques that made them one of the most influential bands of all time. There are hardly any audience shots, and there are no interviews or backstage antics. It’s the best view you’d get of the band – even if you were in the cheap seats!

 

Jones, Page and Plant, together with Jason, premiered the film in New York on Tuesday night, after a press conference. During it, they talked about the process of selecting which songs to include on the setlist that night, what it was like to play with John Bonham’s son, and, awkwardly, how “inane” it is to be asked about getting back together again.

Here Jason talks about playing with “Led Zeppelin”…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Plant talks about why they chose to re-unite in tribute to Ahmet Ertegun…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Both Page and Plant both, at various points, speak about the reunion question…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Robert Plant (telling photographers to f*** off, John Paul Jones, Jason Bonham, Jimmy Page


 
Their final question came from me. I asked, since they always remained in creative control of their music and their works, and were so influential, whether they believe Led Zeppelin could have existed in today’s music world…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Celebration Day releases in cinemas in the US on the 18th of October and on the 2nd of November in South Africa. The DVD releases on the 19th of November. For more click here.

The Global Festival in Central Park

The Black Keys

 

It’s the reason Neil Young signed on. And the Black Keys. Foo Fighters too. Organizer Hugh Evans promised The Global Festival wasn’t going to be “just another Live Aid,” but that it would actively encourage and educate people about what he regards as the critical issue facing our time – extreme poverty. That the festival did, but it was also a rocking good time too.

60 000 fans took to the Great Lawn of New York’s Central Park on Saturday evening for the event, which made history as the largest syndicated music charity webcast and broadcast. Streamed live online, and with input from around the world, the show really did become the global event it was intended to be, fusing the power of social media with socially active fans – even if some of those fans originally came just for the music, as evident in one music-lover screaming out for Foo Fighters during a UNICEF presentation.

 

Run by Evans, CEO of The Global Poverty Project, the Global Festival was created as a way to get music fans involved in the hype and buzz of the United Nations General Assembly, currently taking place in NYC. 120 of the world’s leaders have been gathering in the city for talks and discussions around crucial issues for the past week and a bit. Evans wanted to direct some of that energy into renewed efforts and commitment to achieving the Millennium Development Goals (MDGs), specifically with regard to eradicating extreme poverty.

“The only way this will be relevant to our generation is if it is sustainable,” Evans said in an interview before the event. He and his team set about creating a kind of “digital dashboard” for navigating the issues at hand – like how polio is almost entirely wiped off the planet but still needs attention in Afghanistan, Pakistan and Nigeria; or how education in India is being driven by women-led organizations.

What better way to entice people into engaging with the issues than offer them a free concert with top musicians? As some concert-goers said, it was a small price to pay. After having signed up to become “global citizens”, which entailed watching and sharing video content, emailing links to their friends and thereby scoring the points needed to gain entry into the concert, fans watched as, on the night, more videos were shown and celebs like Olivia Wilde and Selena Gomez came out on stage to highlight various initiatives around the world.

 

So the evening was a celebration too of these efforts being made to rid the world of poverty-related diseases. I liked how the rousing applause from the audience wasn’t only reserved for the rockstars on stage, but it was heaped on the philanthropists and activists who’re working to create change within their own spheres too.

The medicine went down with the music though, and the bands provided a welcome soundtrack to these efforts. From K’Naan, who “re-claimed” his World Cup anthem Wavin’ Flag to surprise guest John Legend who performed John Lennon’s Imagine, there was passion in droves. Band of Horses performed too – their new track Knock, Knock, before the heart-searing No One’s Gonna Love Yourang out across the park. The Black Keys played a tight, urgent set, before Foo Fighters, who told us this would be their last show “for a while”, powered through tracks like Times Like These, Best of You and Everlong. Neil Young and Crazy Horse capped off the evening’s highlights, playing facing each other, almost as if around their own campfire of sorts, in which they created their wall of sound. It was amazing to behold the anthemic Keep on Rocking in the Free World in all its glory, which ended the festival just before the park’s curfew kicked in and Young, who tried to speak to the audience, was Springsteen’ed.

Ultimately though, after 5 hours of standing in enclosed pens, the messages did begin to feel a bit of an overload. Sometimes all you need is Foo Fighters’ frontman Dave Grohl at the end of his set to say, “remember why we’re here.” And most of us do.

Pics: Kevin Mazur/WireImage

 

Outside Paul’s Boutique – RIP MCA

MCA
 
This is a little tribute that’s been set up upside the spot on the Lower East Side where Paul’s Boutique used to be, the place that inspired the name of the second Beastie Boys album. There was a report that people were gathering outside there on Friday to in honour of Adam Yauch. You can still see some of the candles left behind and the writing on the wall.

Macy’s Celebrates 85 years of Floating – Thanksgiving Day Parade

It being Nadia’s first Thanksgiving and all, I had to make sure I was up early to see the Macy’s Thanksgiving Day parade – something I’ve only seen in the movies (and recreated on the street for Tower Heist). I’m so glad I did, even though it was such finger-freezing weather, as I got to see Paul Frank’s Julius make his Parade debut and Sonic the Hedgehog return after an 18 year absence. Continue reading

[News] Brian Eno and Laurie Anderson at #OccupyWallStreet

Occupy Wall Street has had many high-profile and vocal supporters. Among them, Michael Moore, Marc Ruffalo and Russell Simmons.

Today, after this morning’s early hour eviction, more people came out to show that support, including producer whizz and Grammy-winning genius Brian Eno and pioneering avant-garde singer Laurie Anderson. I spoke to them for a few short minutes about #OWS:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Pic: Marie-Joelle Parent

Live on Letterman – Peter Gabriel

Peter Gabriel

Peter Gabriel and a 46-piece orchestra – what a way to visit The Late Show at the legendary Ed Sullivan Theater for the first time!

Pic: CBS

The New Blood Orchestra re-imagined arrangements of many of Peter’s songs – without guitars or drum-kit – for Gabriel’s latest album New Blood, and a selection of this was played out live for the taping.

Gabriel opened his set with Red Rain, before heading into the solemn hymn of Wallflower, a song he wrote in the years after Biko, as a beacon of strength for “those who have the courage to stand up for what they believe in.” In tribute to the Arab Spring, he performed Signal to Noise, lauding the social media tools that, when connected like dots, can take single acts of courage that in the past would have burnt out like fireworks, and make them last so much longer. With each song, the orchestra echoed his lyrics and the stories he creates with them.

Then, just like Carl Jung, the protagonist in his song, Rhythm of the Heat, the audience became utterly mesmerized – by the rhythm of the pan drum; the hand movements of conductor Ben Foster; the heights Gabriel’s voice reaches. A rousing rendition of Solsbury Hill rounded out the set, all too soon. But then he returned, with Biko, still as poignant as ever. And as he left the stage, fist in the air, his words resonated as the orchestra played its final notes:

“As always, what happens next, is up to you.”

Watch here:

Peter Gabriel’s New Blood is out now.

Watch more Live on Letterman.