Category Archives: Miss N

The Cannes Diaries: Of The Past and High Drama

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Ah, running on 3.5 hours of sleep – that’s the Cannes I know and, have to admit, love. And I can’t even blame it on a cool party. Stayed up working late, but wanted very much to see the new Asghar Farhadi film, The Past, which was screening in the early morning. I managed to make it in and it was well worth the scrum.

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Farhadi meticulously works to create a slow-burning film that’s so riveting, as it inch by inch peels back the layers of character and story until the final shot, where all the conflicting emotions drawn out from watching the film are contained within a single piano-played note. It’s a sign of a great film when during the pauses you’re making up dialogue and thinking thoughts the characters might be having – that’s when I know I’m truly in. And with The Past, Farhadi had me in all the way. It deals with his familiar territory of love, separation, and domesticity, but in a way that suggests he is still confounded by these complex matters of the heart.

Off screen, drama of a different kind played out in Cannes last night when jewellery from Chopard, one of the festival’s main sponsors for the past 16 years, worth around $1 million was stolen from a hotel room here, just a short walk from the Palais. The items were meant to be worn by the actresses and models who take to the red carpet. Apparently Nice police say it is an inside job and they’re questioning hotel employees. Then early Friday evening, blank gunshots were reportedly fired on the Croisette where a live TV show was being filmed. I prefer my drama onscreen, thank you!

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On a happier note, I saw a screening of the South African animated film, Khumba, which is showing at the market, and listened to Kagiso Lediga, one of the actors in Blitz Patrollie talk about bringing a comedy film  to the market.

And in more SA film news, The Weinstein Company, which has the North American distribution rights for Mandela: Long Walk to Freedom, revealed the poster for the upcoming film, which shows Idris Elba as Madiba and that famous quote from the Rivonia Treason Trial.

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The Cannes Diaries – Laughing with Florence Welch

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Florence Welch

I really had a great time meeting Florence Welch, of Florence & the Machine. She contributed the glorious track Over the Love to The Great Gatsby soundtrack. The movie, as mentioned yesterday, opens in South Africa this weekend. Here she tells me about the surreal experience of being in Cannes and what her favourite movie soundtracks are.

The Cannes Diaries – Love for Fruitvale and Waiting for Leo

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Day 2 of the Cannes Film Festival definitely belonged to the cast of Fruitvale Station, which received a standing ovation after the film’s premiere here this evening. I was lucky enough to see the film at Sundance earlier this year, when it was called Fruitvale, just before the indie movie picked up the Grand Jury Prize (along with that terrific documentary Blood Brother). I bumped into lead actor Michael B Jordan at the Grey Goose pre-Oscar party earlier this year, and he was still on a high from the great buzz January’s festival created. I have a feeling it’s only going to grow even more now, after Cannes.

fruitvale station(Pic: Cannes Film Festival)

Most of my Day 2 at Cannes was actually spent in Antibes, a short but oh-so-scenic drive from Cannes, at the Hotel Du Cap where I waited to interview the cast of The Great Gatsby. The hotel is a gem on the French Riviera.

Hotel Du Cap

The interviews went well enough, what with the rain playing havoc on my hair and wedges. No matter how many times it has rained during my previous Cannes trips, I never seem to get my packing just right. This shortcoming was made even
more apparent to me while sitting opposite the immaculately presentable Tobey Maguire and Carey Mulligan – both in Saint Laurent, both with hair perfectly in place, come what may.

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I also got to speak to Florence Welch, who contributed a song to the soundtrack of the film, Over the Love. She spoke about how out of place she felt attending the premiere last night, and sitting right in the front row next to Carey Mulligan. “But I’m not actually in the movie,” she kept protesting. “I think Baz (Luhrmann) thinks I am. But I’m not!,” she laughed, before spotting the director inside another cabana across from where we were doing our interview. “Baaaaz!” she called out.

Of course the highlight was chatting to Leonardo DiCaprio about his role as Jay Gatsby. I was quite surprised that with his role in introducing Jay-Z and Baz that he still hasn’t heard the soundtrack. More than that, I was interested to hear him reveal he still has the same dreams and goals now as a 38-year-old as when he was 15. As he was talking about that, I remembered him in Growing Pains, and thought, he really has come a long way from his “Luke” days.

The Great Gatsby opens in South Africa on Friday.

The Cannes Diaries – Of Rain, Spielberg and Gatsby

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Rain, and more rain – welcome to Day 1 of the 66th Cannes Film Festival. Luckily, there were other highlights today, enough to draw attention away from the gloomy skies.

The cast of the opening film at this year’s event, The Great Gatsby, took part in a press conference before the film’s red carpet European debut. The only thing I’ve found that comes close to Brangelina fever here in Cannes is Leo fever, and fans were lined all along the halls of the Palais des Festivals just to catch a glimpse of Leonardo DiCaprio. He said he found Gatsby to be a “fascinating” character, one he came to know a lot more intimately after re-studying him again for this role, in the pages of F Scott Fitzgerald’s book. But it was even more delightful to hear Tobey Maguire, who plays Nick Carraway to Leo’s Gatsby, talk about working with his friend.

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Director Baz Lurhmann as Leonardo DiCaprio, Tobey Maguire and Isla Fisher take their seats.

Director Baz Lurhmann as Leonardo DiCaprio, Tobey Maguire and Isla Fisher take their seats.

Next up, Steven Spielberg led this year’s jury into the press conference room, to talk about how they’re going to approach the process of deciding which film will be honoured with the top prize, the Palme d’Or, this year. Nine filmmakers make up the jury, among them actress Nicole Kidman, director Lynne Ramsay, and recent Oscar winners Ang Lee (who beat Spielberg for best director) and Christoph Waltz (whose international career was made here in Cannes a few years ago with Inglourious Basterds). It was quite sweet when Lee was asked about winning the Oscar over Spielberg and he said he didn’t think much about the competition factor because the Jaws director is his “hero.” Spielberg returned the love, saying he admired Life of Pi, and Lee’s work too.

He went on to say that he thinks film festivals are not so much about competing, but rather the chance for filmmakers from all over the globe to show off: “It’s a chance to brag and to boast about all the different things that so many cultures get to say about their worlds and about each other. I look at it as two weeks of celebrating film, not two weeks of pitting one film against the other,” he said.

Steven Spielberg

In that spirit, the festival is on. 19 films vying for the Palme d’Or, and many more just for some of that much-loved Cannes buzz that may just spill out of the Festival des Palais, and into movie theatres across the world.

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The 66th Cannes Film Festival – and my 7th.

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In one of life’s little full circles, I just got to interview Mark Ruffalo in New Orleans about his latest movie, Now You See Me. Exactly 7 years ago, he starred in the film Zodiac, alongside Jake Gyllenhaal, which premiered at the 60th Cannes Film Festival. That also happened to be my first time covering the fest. I remember sitting in the press conference where Mark and Jake spoke about the David Fincher film, thinking how grateful I was to have made it to the south of France for the ‘grande dame’ of film festivals.  

In those 7 years since, Ruffalo has been nominated for an Oscar (for The Kids are Alright), become an outspoken voice against fracking and turned into the Incredible Hulk. I may not have been picked up an Oscar nod or such (and as much as I channel Wonder Woman, that’s as far as it goes) but I’m currently living my dream in New York City, so I haven’t fared too badly over the past that time either…

It’s still mind-blowing though, to think it’s been 7 years since I first covered the festival. Back then I was able to party at Jean Claude van Damme’s soiree and still wake up at 6am to go stand in line to get a seat for the early morning film screening the next day. That balance requires a little more art now that I’m older (oh, so old!) and yet I’m still as thrilled as the first time around. It’s just that now there’s a familiarity to the surroundings, plus I know where to go to get my favourite pain au chocolats.

David Kibuuka and I with Quincy Jones, Cannes in 2007.

David Kibuuka and I with Quincy Jones, Cannes 2007.

This year, with the 66th edition of the Cannes Film Festival, I’m really excited Steven Spielberg is heading the jury. In 2008, my second fest, he brought Indiana Jones and the Kingdom of the Crystal Skull (along with dozens of Harrison Ford-style fedoras) to the Palais des Festivals. It’ll be interesting to hear what he and his jury-mates will be looking for in the awarding the Palme d’Or this year – will he lean more towards the historical, period films, or will he go for the fantastical à la ET or Indiana Jones?

Among those joining him on the jury are Christoph Waltz, who just won his second Oscar this year, and Ang Lee, the man who beat out Spielberg for best director this year, as well as Nicole Kidman and director Lynne Ramsay. The winner of the Palme d’Or last year, Amour, directed by Michael Haneke, went on to win the Oscar for best foreign language film.

Some of the films I’m looking forward to seeing over the next few days…

* Steven Soderbergh’s Liberace biopic, Behind the Candelabra, starring Michael Douglas and Matt Damon.

* Nicolas Winding Refn’s Only God Forgives, starring Ryan Gosling.

* Alexander Payne’s latest one Nebraska, shot in black and white.

* Jim Jarmusch’s vampire film Only Lovers Left Alive, starring British actress Tilda Swinton.

* The Coen brothers’ Inside Llewyn Davis, with John Goodman and Justin Timberlake.

* The Past from Asghar Farhadi, who gave us A Separation.

As always, I’ll be blogging and tweeting through it all, as well as posting videos to my YouTube. And, as always, I’ll be keeping a close eye on the South Africans taking part, thanks to the National Film and Video Foundation, which has helped me get to Cannes again this time. A record number of South African filmmakers are taking part this year – 150 – and perhaps among them, we may find the next Gavin Hood or Terry Pheto.

Entertainment Express: Arrested Development, The Great Gatsby, Seth Meyers, Barbara Walters, Daft Punk, SAMAs

The Great Gatsby (Pic: Warner Bros)

* The Great Gatsby opened strong at the box office this weekend, showing that a film directed by an auteur like Baz Luhrmann can go head-to-head with a major blockbuster like Iron Man 3. The film wasn’t strong enough to beat Tony Stark, but it did open to a swinging $51.1 million in North America. The cast will help the film make its European entrance at Cannes this week. I, personally, Cannes-not wait! (I know, but I couldn’t resist…)

* It’s been one of the most anticipated TV returns – even though it’s not actually returning to TV. In less than two weeks, Arrested Development will hit Netflix, and in anticipation, a trailer has been released to keep the hype building for the forthcoming 15 episodes.

* In more TV news, Seth Meyers has been confirmed as the man taking over from Jimmy Fallon, when he moves into the earlier slot next year. Meanwhile, it’s being reported long-time talk-show host Barbara Walters will announce her retirement on Monday. ‘Tis certainly the end of era in American TV – and the late-night shuffles also signal a new one on that front.

* It’s always a good Monday when there is Daft Punk news – even though the duo have said they have no plans to tour on the back of Random Access Memories. They have, however, released a little more tease in this new video – where the Robots unpack their new album and give us a few seconds of the opening track, Give Life Back to Music.

* It was a big weekend for the South African music industry – awards for the top artists of the past year were handed out at the annual SA Music Awards, the country’s version of the Grammys. The full list is here, but great to see the spunky pop star Toya Delazy and Motswako master Khuli Chana both took home 3 awards each from Saturday night’s ceremony.

Fastest Film SA – Shotgun Garfunkel

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The record for the fastest film ever made currently stands at 11 days, 23 hours and 45 minutes, from script to screening. It’s held by a team of over a thousand people in Kolkata, India, for creating a 2-hour 3-minute feature called Sivappu Mazhai. For the past 11 days, a group of South Africans has been trying to break that – by setting a new world record, and, it seems, creating a funny buddy comedy in the process too.

While we’ve all been sleeping, eating, and leading our normal lives (okay, so maybe mine’s not that normal), production houses Team Best, Localala and Ghost Sheep have been working for the past 11 days on this feat. The restrictions of the project meant that it didn’t have a name or a concept, or characters, or story-arcs or even a solitary page of dialogue at the beginning, because none of these were allowed. But as the trailer shows, those elements have all come together for the film, called Shotgun Garfunkel, centering on a group of friends on the quest for an epic night out. “Let’s go jolling” may also just be some classic FLWs (Famous Last Words).

Shotgun Garfunkel screens at the Bioscope in Joburg on May 11th.

Entertainment Express: The Great Gatsby, Chris Kelly, Missoni, Prince Harry, Anchorman 2

 thegreatgatsby(Pic: Warner Bros)

* The Great Gatsby opens in the US today, before making its European entrance next week at the Cannes Film Festival, as the opening film. The reviews are varied, but enjoy this piece from the NY Times on Baz Luhrmann’s Anatomy of a Scene. And excuse me while I imagine Cannes in the ’20s…

*  Chris Kelly – aka Mac Daddy of the ’90s rap duo Kris Kross, who died last week, has been laid to rest in his home town of Atlanta, Georgia. His “partner in rhyme” Chris Smith, gave a eulogy for the rapper, who was found “unresponsive” at his home on May 1. A toxicology report is still being done to determine the cause of his death, but it’s believed drugs were involved.

* He was patriarch of the brand known for its zigzag-patterned knitwear, and Ottavio Missoni died Thursday at his home in Sumirago, Italy, at the age of 92. His death comes 4 months after the mysterious disappearance of his son, Vittorio, whose plane went missing after taking off in the Caribbean.

* Prince Harry kicked off his 8-day visit to the US on Thursday. The last time HRH was in the States, his antics in Las Vegas made the front pages. This time around, however, he’s here in his official  capacity as ambassador for his grandmother, the Queen. Fully clothed.

* Kanye West in Anchorman 2? Apparently so! He was spotted filming in Atlanta yesterday. The producers seem to be doing a good job keeping the plot details of the film a secret, but we do know the names Tina Fey, Amy Poehler, Harrison Ford, Kristin Wiig, Will Smith and Nicole Kidman are also in the credits.

Entertainment Express: Ender’s Game, Ray Harryhausen, David Bowie, Guns ‘n Roses

endersgame(Pic: Summit)

* It’s here! A trailer for the much-anticipated Ender’s Game has arrived, so finally we can see what SA-born director Gavin Hood has been up to. Ben Kingsley is  reason alone to be excited, but this trailer ups the ante too.

* Tuesday was a sad day in movie history – visual effects pioneer Ray Harryhausen died. Before there was today’s special effects, there was the father of dynamation, famed for his stop-motion animation techniques that brought to life fantastical creatures, from 1949′s Mighty Joe Young to Clash of the Titans in 1981. He died at 92, in England.

* After featuring Tilda Swinton on his last movie, I mean music, video, David Bowie is now using the talents of Gary Oldman and Marion Cotillard for The Next Day, set inside a church of debauchery.

* An obituary for Matt Groening’s mother, who died, has revealed the extent of the inspiration she provided for the show The Simpsons. It’s quite incredible.

* According to guitarist Richard Fortus, Guns n’ Roses is preparing for a follow-up to Chinese Democracy – early next year. Meanwhile, Axl Rose is being sued after he apparently knocked someone’s teeth out with his microphone while on tour in Australia.

Entertainment Express: The Met Gala, Lauryn Hill, Led Zepplin, Orphans, Ewan McGregor


Punk at the Met

* Some of the stars really went all out and rocked the Met Costume Gala in NYC last night – Anne Hathaway with her blonde Debbie-Harry-hair, Madonna in her outrageous ripped Marc Jacobs ensemble, and Sarah Jessica Parker, who stood out for all the right reasons in her Giles Deacon dress, Philip Treacy headpiece and Louis Vuitton boots. Punk perfection!

* Lauryn Hill has been sentenced to three months in prison for not paying almost a million dollars in taxes. The whole situation feels really sad when you hear what she told the judge about her modest life: “This wasn’t a life of jet-setting glamour. This was a life of sacrifice with very little time for myself and my children.”

* It seems even not even a former US president has the powers of persuasion that it takes to convince Led Zepplin to reunite on stage. Bill Clinton reportedly tried to get the group to play the concert for the Sandy relief concert 12.12.12. Remember the band’s take on the issue last year?

* It’s curtains for the play Orphans, starring Alec Baldwin and Ben Foster – which made headlines for the acrimonious exit of Shia LaBeouf. The show will end its run on Broadway early, in spite of the Tony Award nominations it garnered. I saw the revival and thought it lacked something, even though Foster is excellent.

* It looks like Natalie Portman’s latest film Jane Got a Gun has found a new villain, after overcoming some actor hurdles. According to Deadline, Ewan McGregor is set to take on the role, which has was originally meant to be played by Jude Law and then Bradley Cooper.