Eighth Grade’s Kayla Day — played by the excellent Elsie Fisher — is the heroine I wish I’d been for myself when I was 13. When we first meet her, in comedian Bo Burnham’s directorial debut, she’s making one of her YouTube videos, a series of “tips” and self-help advice dished out to an audience of 1 or sometimes none, following a model that’s seemingly worked for others. She dolls out advice on “how to get out there” or “how to have confidence,” – after all giving advice is the best way to boost one’s social standing online. Most of the time, though, Kayla is making these videos based on…
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Hearts Beat Loud
If you love Once & Begin Again and treasure record stores & sweet summer romances, and have never quite appreciated how empathetic Nick Offerman’s eyes can be, and if you have ever been to Red Hook or have never been to Red Hook, and you need a tonic of hope & love to help you be brave in whatever way you need to be, you must watch Hearts Beat Loud. Set in a part of Brooklyn that’s super hard to get to (unless you, like me, run there), Red Hook, the film tells the story of a single father named Frank, played by Nick Offerman, and his daughter, Sam, played…
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Nommer 37 – A South African Ode to Hitchcock
Much has been said about the fact that Nosipho Dumisa has made an ode to Alfred Hitchcock’s Rear Window with her debut feature film, Nommer 37 (Number 37), and, for good reason. The film features the legendary British director’s infamous touch-points of suspense in its story-telling. But beyond an homage to a legend of filmmaking, Nosipho’s given us a calling card, of her skills as a filmmaker in her own right. She’s got a keen eye – and ear – for what creates tension, anticipation, and frustration, but also for taking the sound of a good idea and turning it into a good film. The premise is centred on Randal (played…
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Wanuri Kahiu brings Rafiki to Cannes
When the credits rolled and the lights came up at the end of her film’s premiere in the Palais des Festival, director Wanuri Kahiu stood next to her lead actresses Samantha Mugatsia and Sheila Munyiva, all dressed in off-white outfits, taking in the acclaim of a standing ovation. Someone in the audience shouted, ‘Thank you!’ and Kahiu put her hand over her heart. Festival director Thierry Fremaux motioned for them to look up and see just how many people were clapping in the theatre’s balcony seats too, lauding the first Kenyan film to ever debut at the Cannes Film Festival. “What’s incredible about the response is that people are so…
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This is Black Panther
In Blood Diamond, Leonardo DiCaprio’s Zimbabwean ex-mercenary utters a line that became one of those oft-heard film quotes. As a means of explaining the way things work – or don’t work – on the continent, he tells co-star Jennifer Connelly, “TIA.” When she doesn’t get his homemade-acronym the first time around, he spells it out: “This. Is. Africa.” It may have taken over a decade, but you could say Black Panther is the cinematic blockbuster retort to that. A long-awaited clap-back in the form of a roar. This is Africa. Yes, it’s a heightened, idealized version of it — where vibranium, not diamonds — is the major resource. Yes, it’s…
