Somewhere along the time and space continuum, it became March 2014 already. So here we are, on the eve of another SXSW adventure. For that really is the only way to describe the next 10 days of tech, film and music events. This year’s line-up spans the serious – virtual discussions with Edward Snowden and Julian Assange about the issues of privacy and freedom of information – to the super fun – Bill Cosby performing to a room of 300 people (try getting into that venue!) and Lena Dunham talking about how one creates an Emmy-nominated hit TV show that’s spawned many an Internet essay.
This will be my 3rd time covering the event – all 3 of the portions: Interactive, Film and Music. I’ll be looking to see and do as much as my enthusiasm will allow (which, as many know, is a lot). There are highlights I’ve already put down in a schedule, but I also have taken heed of the golden rule of SXSW (and any good festival, really) to be ready to go with the flow too.
Some of the highlights I’m looking forward to include seeing Austin Kleon, author of one of my favourite books on being creative, Steal Like an Artist, who’ll be talking about his new one, Show Your Work, hearing Robert Duvall talk about his long and fruitful career, seeing an extended Q-and-A with Wes Anderson following a screening of his latest film The Grand Budapest Hotel, trying to get into that Bill Cosby show, experiencing Damon Albarn‘s first solo album, Everyday Robots, in concert, trying to track down as many of the bands on the NPR Austin 100 list, and, and, and…I’ve barely scratched the surface. There really is so much to factor in – including the spontaneity that usually goes along with a SXSW adventure. You can bet I’ll do my best – with a breakfast taco or two along the way!