The Cannes Diaries: Robert Redford Day

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Wednesday was supposed to be Ryan Gosling Day. His new movie with Nicolas Winding Refn, the eagerly-awaited follow-up to Drive, was debuting and I was really looking forward to the press conference after the film. Last time around, we heard the endearing story about how the Canadian actor convinced the Danish director to make Drive, with a little help from REO Speedwagon. Well, there was no Ryan Gosling Day after all, because he wasn’t able to be in Cannes, on account of him shooting his own directorial debut. No worry though, because Wednesday became Robert Redford Day.

The 76-year-old actor came to Cannes in 1972 with Jeremiah Johnson, and now here he is, an Oscar-winning star, back in Cannes with All is Lost. But this time he left the directing up to another filmmaker – JC Chandor, who made Margin Call, which Redford’s Sundance Film Festival supported.

He is the only actor in the movie, playing a man lost at sea, and there are hardly any words. But he said he relished the challenge of surrendering to a director he trusted. “This film is about having none of the dialogue, the noise that is usually available as a crutch; here it’s just the weather and the elements,” he said.

Redford also said he isn’t going to be giving up acting anytime soon, even though it was good for him just to be an actor on this film and not a director as well: “I began as an actor and this role allowed me to just be an actor again. That’s how I started and I loved it – I would like to continue. I don’t want to act and direct all the time.” The funny thing he mentioned is that even though he mentors a lot of filmmakers, very few of them ask him to be in their movies. JC Chandor did – and he’s all the better for it.
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Redford’s known for his outspoken voice on the environment, and, when asked for his advice on how to improve the situation at the moment, he said he’s not sure how it can be saved. But he said: “put it in your work.” He believes if you can show how things were at one time and how they’ve deteriorated, or if you can incorporate the environment into your work, then you’re able to do what you can, able to do something to help.

As for his advice to filmmakers, he said this: “Make a film that’s personal. id you can break it into three areas and tell the story with emotion, even if it’s the tiniest story in the tiniest village, it will reach people across the world because of it’s humanity.”

Later on in the evening, I was fortunate enough to walk the red carpet and attend the premiere where Redford saw the movie for the first time. The overwhelming standing ovation and his eyes welling up afterwards, as he took in the applause coming from all over the Grand Theatre Lumiere, made me happy to call Wednesday, Robert Redford Day.

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The Cannes Diaries – Of Douglas and Damon

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Michael Douglas and Matt Damon star in the biopic about extravagant pianist and entertainer Liberace, Behind the Candelabra. It premiered at Cannes on Tuesday night, after being screened early in the morning to welcoming applause from press. For me, the two were highlights of the day, even more so after listening to them speak at a press conference for the movie afterwards.

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Michael started talking about the role and he began to tear up as he spoke about how grateful he was director Steven Soderbergh waited for him to be able to do the film: “It was right after my cancer,” he said. “And this role was a special gift. I am so grateful Steven and Matt and everyone else waited for me to do it.” Michael beat stage 4 throat cancer in 2011. He is exceptional in this role and many of the critics here have been praising his work. Alongside Matt Damon, he truly shines. Together they bring the 5-year story of Liberace “Lee” and his lover Scott Thorson to the screen, with empathy and humour. I thoroughly enjoyed it – but because the film is only releasing on TV in the US, it means the cast won’t be eligible for Oscar nominations.

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The Cannes Diaries – The Halfway Mark

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It’s the halfway point of the festival, and I’m actually not doing too badly, thanks to the novel idea of pacing myself. I did, however, end Day 6 on a very provocative note – with a burlesque show by Dita von Teese. There were no photos allowed, but I can tell you it was worth the very long wait to see her play around in a giant martini glass. Before that, I went to the Cinema du Brazil party where Gaby Amarantos – Brazilian singer and dancer of tecno brega – entertained the crowd. Sure it’s fun to try end up at the same party as the celebs of Cannes, but it’s even better to be where the Brazilians are – because they really know how to have a good time on the dance-floor.

After a day full of interviews and a packed schedule of films, it’s good to enjoy the spontaneous atmosphere of Cannes too – which is how the burlesque show came to be. I was on my way home and literally bumped into Annie Malan (who once upon a time acted in Fiela se Kind), and she invited me along to Dita.

Monday started with the action-packed film from Japanese director, Takashi Miike, which posed the moral and physical dilemma of protecting a repulsive psychopath. It then moved to action of another kind with Keanu Reeves, who previewed footage of his directorial feature film, a Kung-fu drama called Man of Tai Chi.

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I asked Keanu, who is looking a lot older these days, about when he started wanting to direct. He says he got the urge about 5 years ago and so started developing a script with Tiger Chen – a stuntman turned friend and actor from the Matrix days.

Keanu told me he was scared to direct because it meant he was now responsible for the whole film instead of just a part but he knew he wanted to be the only person who told this story. “Kung-fu movies are beautiful,” he said, “exotic, wonderful, empowering.”

I’ve also been watching some SA films and talking to SA directors but that needs its own piece of writing. For now, Michael Douglas in Behind the Candelabra waits.

The Cannes Diaries – The Coen Brothers Come to Town

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Thanks to Joel and Ethan Coen, I left the Palais des Festivals on Saturday night a lot happier than I entered it. The relentless rain had put a damper on the atmosphere, and I found myself really missing the sunshine that graced us the day – for only a day – before. The brothers Coen have created a film that is tragically funny, and yet just so lovely in its dispiriting nature. It focusses on a struggling musician, Llewyn – the fictional character inspired by the memoir of folk singer Dave Van Ronk – in New York’s folk music scene just before Bob Dylan rose to fame.

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The lead role is played by Oscar Isaac, who is already having heaps of praise lauded onto him for this film. One of the best parts of the film is that we are treated to full-length songs by the actor, who until now, has not had a starring role to shine in. I wanted to clap after each one. At a press conference for the film on Sunday, Ethan Coen called the search for the lead “a casting challenge; we were screwed before we met Oscar Isaac”. Music producer T Bone Burnett, who performed with Dylan, added: “The odds against us making the film at all were very long. The odds against us finding Oscar Isaac were one in 17 million.” Oscar appeared visually touched by the comments from journalists in the room about his stellar performance.

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Carey Mulligan, who has also been here for The Great Gatsby, is also in the film, and her husband, Marcus Mumford helped with its soundtrack. In a press conference filled with a lot of laughs, Carey revealed she only told the Coens she could sing so she could get the part. Her voice isn’t bad actually, and she sings alongside her husband in the film, Justin Timberlake. And there’s also a certain cat that has a starring role. It’s sweet and sad and all quite lovely.

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The Cannes Diaries: Of The Past and High Drama

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Ah, running on 3.5 hours of sleep – that’s the Cannes I know and, have to admit, love. And I can’t even blame it on a cool party. Stayed up working late, but wanted very much to see the new Asghar Farhadi film, The Past, which was screening in the early morning. I managed to make it in and it was well worth the scrum.

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Farhadi meticulously works to create a slow-burning film that’s so riveting, as it inch by inch peels back the layers of character and story until the final shot, where all the conflicting emotions drawn out from watching the film are contained within a single piano-played note. It’s a sign of a great film when during the pauses you’re making up dialogue and thinking thoughts the characters might be having – that’s when I know I’m truly in. And with The Past, Farhadi had me in all the way. It deals with his familiar territory of love, separation, and domesticity, but in a way that suggests he is still confounded by these complex matters of the heart.

Off screen, drama of a different kind played out in Cannes last night when jewellery from Chopard, one of the festival’s main sponsors for the past 16 years, worth around $1 million was stolen from a hotel room here, just a short walk from the Palais. The items were meant to be worn by the actresses and models who take to the red carpet. Apparently Nice police say it is an inside job and they’re questioning hotel employees. Then early Friday evening, blank gunshots were reportedly fired on the Croisette where a live TV show was being filmed. I prefer my drama onscreen, thank you!

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On a happier note, I saw a screening of the South African animated film, Khumba, which is showing at the market, and listened to Kagiso Lediga, one of the actors in Blitz Patrollie talk about bringing a comedy film  to the market.

And in more SA film news, The Weinstein Company, which has the North American distribution rights for Mandela: Long Walk to Freedom, revealed the poster for the upcoming film, which shows Idris Elba as Madiba and that famous quote from the Rivonia Treason Trial.

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The Cannes Diaries – Laughing with Florence Welch

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I really had a great time meeting Florence Welch, of Florence & the Machine. She contributed the glorious track Over the Love to The Great Gatsby soundtrack. The movie, as mentioned yesterday, opens in South Africa this weekend. Here she tells me about the surreal experience of being in Cannes and what her favourite movie soundtracks are.

The Cannes Diaries – Love for Fruitvale and Waiting for Leo

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Day 2 of the Cannes Film Festival definitely belonged to the cast of Fruitvale Station, which received a standing ovation after the film’s premiere here this evening. I was lucky enough to see the film at Sundance earlier this year, when it was called Fruitvale, just before the indie movie picked up the Grand Jury Prize (along with that terrific documentary Blood Brother). I bumped into lead actor Michael B Jordan at the Grey Goose pre-Oscar party earlier this year, and he was still on a high from the great buzz January’s festival created. I have a feeling it’s only going to grow even more now, after Cannes.

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Most of my Day 2 at Cannes was actually spent in Antibes, a short but oh-so-scenic drive from Cannes, at the Hotel Du Cap where I waited to interview the cast of The Great Gatsby. The hotel is a gem on the French Riviera.

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The interviews went well enough, what with the rain playing havoc on my hair and wedges. No matter how many times it has rained during my previous Cannes trips, I never seem to get my packing just right. This shortcoming was made even
more apparent to me while sitting opposite the immaculately presentable Tobey Maguire and Carey Mulligan – both in Saint Laurent, both with hair perfectly in place, come what may.

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I also got to speak to Florence Welch, who contributed a song to the soundtrack of the film, Over the Love. She spoke about how out of place she felt attending the premiere last night, and sitting right in the front row next to Carey Mulligan. “But I’m not actually in the movie,” she kept protesting. “I think Baz (Luhrmann) thinks I am. But I’m not!,” she laughed, before spotting the director inside another cabana across from where we were doing our interview. “Baaaaz!” she called out.

Of course the highlight was chatting to Leonardo DiCaprio about his role as Jay Gatsby. I was quite surprised that with his role in introducing Jay-Z and Baz that he still hasn’t heard the soundtrack. More than that, I was interested to hear him reveal he still has the same dreams and goals now as a 38-year-old as when he was 15. As he was talking about that, I remembered him in Growing Pains, and thought, he really has come a long way from his “Luke” days.

The Great Gatsby opens in South Africa on Friday.

The Cannes Diaries – Of Rain, Spielberg and Gatsby

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Rain, and more rain – welcome to Day 1 of the 66th Cannes Film Festival. Luckily, there were other highlights today, enough to draw attention away from the gloomy skies.

The cast of the opening film at this year’s event, The Great Gatsby, took part in a press conference before the film’s red carpet European debut. The only thing I’ve found that comes close to Brangelina fever here in Cannes is Leo fever, and fans were lined all along the halls of the Palais des Festivals just to catch a glimpse of Leonardo DiCaprio. He said he found Gatsby to be a “fascinating” character, one he came to know a lot more intimately after re-studying him again for this role, in the pages of F Scott Fitzgerald’s book. But it was even more delightful to hear Tobey Maguire, who plays Nick Carraway to Leo’s Gatsby, talk about working with his friend.

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Director Baz Lurhmann as Leonardo DiCaprio, Tobey Maguire and Isla Fisher take their seats.

Director Baz Lurhmann as Leonardo DiCaprio, Tobey Maguire and Isla Fisher take their seats.

Next up, Steven Spielberg led this year’s jury into the press conference room, to talk about how they’re going to approach the process of deciding which film will be honoured with the top prize, the Palme d’Or, this year. Nine filmmakers make up the jury, among them actress Nicole Kidman, director Lynne Ramsay, and recent Oscar winners Ang Lee (who beat Spielberg for best director) and Christoph Waltz (whose international career was made here in Cannes a few years ago with Inglourious Basterds). It was quite sweet when Lee was asked about winning the Oscar over Spielberg and he said he didn’t think much about the competition factor because the Jaws director is his “hero.” Spielberg returned the love, saying he admired Life of Pi, and Lee’s work too.

He went on to say that he thinks film festivals are not so much about competing, but rather the chance for filmmakers from all over the globe to show off: “It’s a chance to brag and to boast about all the different things that so many cultures get to say about their worlds and about each other. I look at it as two weeks of celebrating film, not two weeks of pitting one film against the other,” he said.

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In that spirit, the festival is on. 19 films vying for the Palme d’Or, and many more just for some of that much-loved Cannes buzz that may just spill out of the Festival des Palais, and into movie theatres across the world.

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The 66th Cannes Film Festival – and my 7th.

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In one of life’s little full circles, I just got to interview Mark Ruffalo in New Orleans about his latest movie, Now You See Me. Exactly 7 years ago, he starred in the film Zodiac, alongside Jake Gyllenhaal, which premiered at the 60th Cannes Film Festival. That also happened to be my first time covering the fest. I remember sitting in the press conference where Mark and Jake spoke about the David Fincher film, thinking how grateful I was to have made it to the south of France for the ‘grande dame’ of film festivals.  

In those 7 years since, Ruffalo has been nominated for an Oscar (for The Kids are Alright), become an outspoken voice against fracking and turned into the Incredible Hulk. I may not have been picked up an Oscar nod or such (and as much as I channel Wonder Woman, that’s as far as it goes) but I’m currently living my dream in New York City, so I haven’t fared too badly over the past that time either…

It’s still mind-blowing though, to think it’s been 7 years since I first covered the festival. Back then I was able to party at Jean Claude van Damme’s soiree and still wake up at 6am to go stand in line to get a seat for the early morning film screening the next day. That balance requires a little more art now that I’m older (oh, so old!) and yet I’m still as thrilled as the first time around. It’s just that now there’s a familiarity to the surroundings, plus I know where to go to get my favourite pain au chocolats.

David Kibuuka and I with Quincy Jones, Cannes in 2007.

David Kibuuka and I with Quincy Jones, Cannes 2007.

This year, with the 66th edition of the Cannes Film Festival, I’m really excited Steven Spielberg is heading the jury. In 2008, my second fest, he brought Indiana Jones and the Kingdom of the Crystal Skull (along with dozens of Harrison Ford-style fedoras) to the Palais des Festivals. It’ll be interesting to hear what he and his jury-mates will be looking for in the awarding the Palme d’Or this year – will he lean more towards the historical, period films, or will he go for the fantastical à la ET or Indiana Jones?

Among those joining him on the jury are Christoph Waltz, who just won his second Oscar this year, and Ang Lee, the man who beat out Spielberg for best director this year, as well as Nicole Kidman and director Lynne Ramsay. The winner of the Palme d’Or last year, Amour, directed by Michael Haneke, went on to win the Oscar for best foreign language film.

Some of the films I’m looking forward to seeing over the next few days…

* Steven Soderbergh’s Liberace biopic, Behind the Candelabra, starring Michael Douglas and Matt Damon.

* Nicolas Winding Refn’s Only God Forgives, starring Ryan Gosling.

* Alexander Payne’s latest one Nebraska, shot in black and white.

* Jim Jarmusch’s vampire film Only Lovers Left Alive, starring British actress Tilda Swinton.

* The Coen brothers’ Inside Llewyn Davis, with John Goodman and Justin Timberlake.

* The Past from Asghar Farhadi, who gave us A Separation.

As always, I’ll be blogging and tweeting through it all, as well as posting videos to my YouTube. And, as always, I’ll be keeping a close eye on the South Africans taking part, thanks to the National Film and Video Foundation, which has helped me get to Cannes again this time. A record number of South African filmmakers are taking part this year – 150 – and perhaps among them, we may find the next Gavin Hood or Terry Pheto.

Entertainment Express: Arrested Development, The Great Gatsby, Seth Meyers, Barbara Walters, Daft Punk, SAMAs

The Great Gatsby (Pic: Warner Bros)

* The Great Gatsby opened strong at the box office this weekend, showing that a film directed by an auteur like Baz Luhrmann can go head-to-head with a major blockbuster like Iron Man 3. The film wasn’t strong enough to beat Tony Stark, but it did open to a swinging $51.1 million in North America. The cast will help the film make its European entrance at Cannes this week. I, personally, Cannes-not wait! (I know, but I couldn’t resist…)

* It’s been one of the most anticipated TV returns – even though it’s not actually returning to TV. In less than two weeks, Arrested Development will hit Netflix, and in anticipation, a trailer has been released to keep the hype building for the forthcoming 15 episodes.

* In more TV news, Seth Meyers has been confirmed as the man taking over from Jimmy Fallon, when he moves into the earlier slot next year. Meanwhile, it’s being reported long-time talk-show host Barbara Walters will announce her retirement on Monday. ‘Tis certainly the end of era in American TV – and the late-night shuffles also signal a new one on that front.

* It’s always a good Monday when there is Daft Punk news – even though the duo have said they have no plans to tour on the back of Random Access Memories. They have, however, released a little more tease in this new video – where the Robots unpack their new album and give us a few seconds of the opening track, Give Life Back to Music.

* It was a big weekend for the South African music industry – awards for the top artists of the past year were handed out at the annual SA Music Awards, the country’s version of the Grammys. The full list is here, but great to see the spunky pop star Toya Delazy and Motswako master Khuli Chana both took home 3 awards each from Saturday night’s ceremony.